Infinite possibilities born from constraints

My aim is to overturn preconceived notions and create opportunities for people to think, so I try anything and everything I can, without limiting myself to any particular genre. My continued use of circles and straight lines in my designs is also a challenge to see "how interesting I can be within limitations" and "the infinite possibilities that arise from constraints."
The "PORTRAIT" series, which symbolizes the artist's philosophy, is a series of photographs of the artist herself standing defiantly, clad in a kimono. It represents her confronting the essence of everyday things and facing them head-on.

Facing the challenge of choosing a bridal ring.

As this was my first time working with jewelry, I researched the history of diamond distribution and bridal rings, and that's when I came across the prototype of an engagement ring from over 50 years ago. It's said that diamond engagement rings became established in Japan in the 1960s. Before that, in the 1950s, diamonds were even more expensive than they are today.
While few people can afford a large diamond, it was around this time that a setting was created to fulfill the desire to give or wear a beautifully sparkling diamond ring, even if it is small. This design, which uses a reflector-like structure to concentrate light on the diamond and holds it in place with large prongs, is not in fashion today.

However, the style of holding the diamond high to make it shine brighter and more brilliantly seemed to represent the positive image of Japan during its period of rapid economic growth, and it struck me as very impressive and refreshing. It's about discerning and carrying on the parts that are necessary for the present era from the good parts left behind by our predecessors.
I felt it was similar to the feeling of gratitude towards one's parents and ancestors that arises when one confronts one's own existence at the milestone of marriage.

The original prototypes, meticulously crafted by artisans, possess a certain warmth and, despite being made of metal, do not feel cold. I've heard that with the advancement of mechanization, there are now very few people who can create prototypes in this style in the same way. I've also heard that stone setters who can secure diamonds into large, unique prongs are also a rare breed.

Because a bridal ring is something you'll wear for a long time to come, it should be something that makes you feel the warmth of others, not just your own. Remember that everyone is supported by others, and always strive to be someone who is loved by everyone for a long time.
And I wanted the bridal rings I create to enhance the beauty of the person wearing them.

What kind of design was born from this confrontation?