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MARGARET HOWELL

MARGARET HOWELL

I consider myself a craftsman-like designer. The manufacturing process is an essential part of my design philosophy. And comfort is crucial for clothing. I've always wanted clothes to be exactly as they were drawn in the design sketches—relaxed, breathable, and natural. I find men's clothing fascinating because of its structure, comfort, and functionality. That's why I started designing men's clothing, but then I realized women also wanted such clothes. I'm always inspired by what I find "authentic" in nature, people, and places. The same goes for choosing materials for my collections. For example, the feel of hand-woven Harris Tweed or Irish linen with its irregular slub texture. It warms my heart to think about the connection between the skilled weavers who weave these fabrics and the landscapes that surround them. I also love working with factories that understand and share my passion for the manufacturing process and the quality of materials, such as John Smedley for fine gauge knitwear, Mackintosh raincoats that still incorporate handwork into the process, and Scottish knit factories that continue to produce some of the world's finest cashmere. Sometimes I find this kind of wonderful quality in things made by other people. It all started when I found an old but delicately stitched pinstripe shirt at a charity bazaar in 1970, and that inspired me to try making clothes myself. Even now, I love finding well-made, long-lasting items. Mid-century products, in particular, such as Anglepoise lamps, Ercol furniture, and Robert Welch stainless steel cutlery, are representative examples of functional and timeless design. British tradition, quality, skill...it's a joy to bring these together, like twisting threads, into "clothes" that can be worn in the real world. There, great design is born from a well-thought-out style.

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